Classic Hollywood S35 lenses. Shoot them wide open w/no worries. The TLS versions cam followers are smooth, and they don't telescope like the P&S versions do.
The 18mm also doesn't vignette like some of the P&S rehousings do...
7 lens set all 110mm front:
18mm/T2.2 /CF 8"/2 lbs.
25mm/T2.2/CF 8"/2 lbs.
32mm/T2.3/CF 9"/2 lbs.
40mm/T2.3/CF 13"/2 lbs.
50mm/T2.3/CF 15"/2.5 lbs.
75mm/T2.8 CF 2'4"/3 lbs.
100mm/T2.8 CF 2'/3 lbs.
Panchros were used on "Bohemian Rhapsody", "Green Room", "The Witch" and "Rush".
TLS Cooke Panchro 7 Lens
18mm T2.3 110mm CF 12"
25mm T2.3 110mm CF 14"
32mm T2.3 110mm CF 13"
40mm T2.3 110mm CF 2"
50mm T2.3 110mm CF 3"
75mm T2.3 110mm CF 3 feet
100mm T2.8 110mm CF
This 100mm is the Deep Field Lens, which won an Oscar in 1962.
The Cooke Look is on full display with this set, as these lenses render skin like no other. Expect a lower contrast, soft flares, and minimal breathing with this set. The 40 is the magic lens!
TLS rehoused lenses are the industry standard. Their cam-driven followers, make pulling focus smooth, and end stops calibrate easily.
These lenses are all 110mm, and clip-on matte box friendly. No telescoping or binding!